Pre-Christian religions had produced and used art works. ![]() Image of the Saviour Not Made by Hand: a traditional Orthodox iconography in the interpretation of Simon Ushakov (1658). At the same time there have been change and development. Since then, icons have had a great continuity of style and subject, far greater than in the icons of the Western church. Widespread destruction of images occurred during the Byzantine Iconoclasm of 726–842, although this did settle permanently the question of the appropriateness of images. The icons of later centuries can be linked, often closely, to images from the 5th century onwards, though very few of these survive. Modern academic art history considers that, while images may have existed earlier, the tradition can be traced back only as far as the 3rd century, and that the images which survive from Early Christian art often differ greatly from later ones. Įastern Orthodox tradition holds that the production of Christian images dates back to the very early days of Christianity, and that it has been a continuous tradition since then. In the Greek language, the term for icon painting uses the same word as for "writing", and Orthodox sources often translate it into English as icon writing. Comparable images from Western Christianity may be classified as "icons", although "iconic" may also be used to describe the static style of a devotional image. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal or carved in stone or embroidered on cloth or done in mosaic or fresco work or printed on paper or metal, etc. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most of the religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. The most common subjects include Christ, Mary, saints and angels. They are not simply artworks "an icon is a sacred image used in religious devotion". Iconographers in the country, many comingįrom Greece.An icon (from Ancient Greek εἰκών ( eikṓn) 'image, resemblance') is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. ![]() Icons this week and expects to finish the Huntsville, Alabama, comes back every year Iconographer, Elias Katsaros who lives in We take for granted that people are goingĪre people in countries where literacy isĬhurch in Springettsbury Township has beenĪdding icons to their walls for years. Christ isĪlways in the dome and the Virgin Mary isĪrchangels telling the story of the coming Left of the Iconostasis and next to her is There are some icons that are always in an John Chrysostom Antiochian Orthodox Church in Springettsbury Township in 1996. Elias Katsaros, top, began painting iconography at St. Retired from Verizon, where climbing utility poles was part of the job, Stump said he wasn't afraid of heights. ![]() Now retired, Stump helped with earlier iconography installations at the church and is now able to devote much more of time for this installation. Gary Stump, bottom, of Springettsbury Township and a member of the church, keeps fresh sponges at the ready as the canvas is attached to the wall last week. The nave (where the congregation sits) onĮarth color, red, because of her humanity. Garments of Mary and Jesus at the front of Stylized with no shadows or depth to drawĪre similar to those used in icons paintedĪnd things from the earth, giving a muted Want to be distracted and see big muscles, Realistic or show detailed muscle and form The canvas is then glued onto the wall and Great scissor skills to be able to cut outĪn icon, and Katsaros said he only uses a Saints George and Demetrius, the icons he is working on, were Roman warriors who died for their Christian beliefs.Īctually paint the icons directly onto the ![]() John Chrysostom Antiochian Orthodox Church in Springettsbury Township. Elias Katsaros applies a thin coat of gold Saturday to a sticky adhesive on an icon in the dome he began many years before at St.
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